Review of meendum oru kadhal tamil movie

#Review of meendum oru kadhal tamil movie movie#

His visit to the UK with wife, to be with his sonвЂ™s family, turns tragic as he loses the better-half in an unexpected turn of events. Om (Bharathiraaja), a septuagenarian, is a man who embraces traditional values.

#Review of meendum oru kadhal tamil movie movie#

Meendum Oru Mariyathai Movie Review: Meendum Oru Mariyathai is the unusual journey between a depressed young girl and an abandoned old man who is clueless about what to do next in life.

A 10-day trip to an exotic place changes their respective lives. The traces of dramatic conflict, which were there to start with, dissolve into thin air, leaving us with a flat film that in the first place, shouldnвЂ™t have been made.Meendum Oru Mariyathai Movie Synopsis: A girl who decides to commit suicide owing to personal issues befriends a septuagenarian who has been abandoned by his son. The landscape, unlike the original is not even referenced, leave alone celebrated. Characters come to screen and leave without motives, resolving issues way too conveniently and sprouting the most inane of dialogues. And slowly, it all becomes too-predictable-and-staged-to-even-care. We are made to sit through scenes, which gradually become totally pointless. If only, we could break into the climax, as easily as that. A police-officer understands his вЂloveвЂ™ (Read вЂstalkingвЂ™) He sets up a purdah shop, for God knows what! And believe me, breaks into a song. When he returns, the girl, without even knowing what he does for a living, confesses her love for him. Just the sight of half her вЂwhitishвЂ™ face leaves him drooling over the thought of spending his life with her. Vinod falls for Aisha after bumping her down the stairs. Well, in the absence of any mood or flavour, character arcs are may be too much to ask! Oh wait, am I repeating myself? Well, in my defense, the pain is real, and continues to haunt every thought about the film.ДЄgreed, Walter Philips is not Nivin Pauly, but with a newcomer who struggles to bring the scene alive, isnвЂ™t it more of an obligation to plug all gaping crevices in the script? With almost nothing to hold our attention, what to make of the wafer thin meet-cute segments that keep dragging forever? If you are going to focus on the romance between the lead couple for the majority of the screen time, why not make it at least engaging and logical? The heroвЂ™s communist background exists in the original for a reason and if you are hell bent on retaining the same back-story for the protagonist, why not integrate it with the proceedings as in the story from the Malabar Coast? With nothing to anchor to, the premise dangles on loosely, adding nothing more to the characterization.

Here, instead we have the hero, closing his eyes and breaking into a song, even as he walks on roads, rides on bikes, and goes about his stalking routine, every five minutes. He does the same film, practically again, repeating the same flaws that were there in Malayalam, but without realizing the fact that the original had a distinct local flavour, characters that merged with the milieu, organic humour in the dialogues and most importantly, an actor who could make you forget everything else with his charm and spontaneity. The problem with MOKK, unlike most other remakes from Malayalam, is not because the film-maker tried to вЂ tanglicizeвЂ™ it in an attempt to make it more palatable to the masses. Of the hero closing his eyes in rhapsody and breaking into a song, every five minutes. To put it short, it does feel like fifteen years. He would eventually achieve the feat in the climax, fifteen years later, but not before frustrating you to endless limits, and if you are one of the lucky few who can doze in theatres, leaving you to snore. вЂњI will marry this pretty girl somedayвЂќ, says the twelve-year-old protagonist on seeing the ten-something-heroine in the opening scene of Mitran JawaharвЂ™s version. To make a case for the discontinuation of successful Malayalam movies getting a regional remake, Meendum Oru Kaadhal Kadhai, the Tamil edition of Vineeth SrinivasanвЂ™s Thatthathin Marayathu, could be Exhibit A.